He viewed the Victorian culture as very repressive and superficial and he shows this through his novel. The portrait of Dorian Gray itself is a symbol of the superficiality of the culture.
The Picture of Dorian Gray: In the novel, the well meaning artist Basil Hallward presets young Dorian Gray with a portrait of himself. After conversing with cynical Lord Henry Wotton, Dorian makes a wish which dreadfully affects his life forever. For that I would give everything!
Yes, there is nothing in the whole world I would not give! As it turns out, the devil that Dorian sells his soul to is Lord Henry Wotton, who exists not only as something external to Dorian, but also as a voice within him Bloom Dorian continues to lead a life of sensuality which he learns about in a book given to him by Lord Henry.
Each of the three primary characters is an aesthete and meets some form of terrible personal doom. He searches in the outside world for the perfect manifestation of his own soul, when he finds this object, he can create masterpieces by painting it Bloom It is this very work of art which Basil refuses to display that provides Dorian Gray with the idea that there are no consequences to his actions.
Dorian has this belief in mind when he murders Basil. Here we see that the artist is killed for his excessive love of physical beauty; the same art that he wished to merge with is the cause of his mortal downfall Juan Basil is an artist who uses a brush while Wotton is an artist who uses words: There is no good, no evil, no morality and immorality; there are modes of being.
Although he attests that aestheticism is a mode of thought, he does not act on his beliefs. However, Lord Henry does take the immoral action of influencing Dorian.
Dorian becomes so disgusted with the horrible portrait that he slashes the canvas, and the knife pierces his own heart. Because Lord Henry is responsible for influencing Dorian Gray, he is partly the cause of the death of Dorian Lord Henry changes Dorian with the belief that morals have no legitimate place in life.
He gives Dorian a book about a man who seeks beauty in evil sensations. Eventually, he is left destitute, without Dorian, the art he so cherishes, because he tried to mold it, as dictated by aestheticism.
A young man who was pure at the beginning of the novel becomes depraved by the influence of Lord Henry. He begins to lead a life of immorality, including the murder of his dear friend Basil Hallward.
However, there is still a spark of good left in Dorian. This trace of goodness is not enough to save Dorian, for he has crossed too far towards the perverted side of aestheticism and cannot escape it. Dorian becomes so disgusted with this portrait of his soul and his conscience, that he slashes the canvas, killing himself.
For Dorian, this is the ultimate evil act, the desire to rid himself of all moral sense. Having failed the attempt to escape through good actions, he decides to escape by committing the most terrible of crimes. Aestheticism has claimed its final victim.
Lord Henry what the world thinks of me: Because of the endings hecreates for these characters, Oscar Wilde proves that he does not envision himself in the immoral characters of this story nor is he attempting to promote their lifestyles. Of all the characters whom he creates, he sees himself as Basil, the good artist who sacrifices himself to fight immorality.Thesis Statements Sample Thesis # 1 Throughout the novel of The Picture of Dorian Gray, author Oscar Wilde uses Basil's painting of Dorian to symbolize the severity of characters' actions and their effects on others.
The novel Picture of Dorian Gray and the thesis “Economy,” from Henry David Thoreau's Walden have completely different ways of presenting the same thesis – that materialism is generally bad, and leads to a shallow and unfulfilling life.
From the Writer “Dorian Gray the Escape Artist” is the culmination of my work in my WR seminar, Fantasy at the Fin-de-Siècle. The final assignment was to create a research paper based on an interesting problem or paradox I had found in Oscar Wilde’s book, The Picture of Dorian Gray.
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